{"id":143,"date":"2019-08-23T15:53:04","date_gmt":"2019-08-23T15:53:04","guid":{"rendered":"http:\/\/nuovo.diegobormida.com\/?page_id=143"},"modified":"2021-11-06T23:45:08","modified_gmt":"2021-11-06T23:45:08","slug":"trompe-loeil-murales-e-dipinti","status":"publish","type":"page","link":"https:\/\/diegobormida.com\/OLD\/trompe-loeil-murales-e-dipinti\/","title":{"rendered":"Trompe l’oeil"},"content":{"rendered":"\t\t
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Trompe l\u2019\u0153il<\/strong>, espressione proveniente dai termini francesi tromper, cio\u00e8 ingannare, e l\u2019oeil, cio\u00e8 l\u2019occhio, \u00e8 una tecnica pittorica naturalistica, basata sull\u2019uso del chiaroscuro e della prospettiva, che riproduce la realt\u00e0 in modo tale da sembrare agli occhi dello spettatore illusione del reale.
Essa crea un\u2019ambiguit\u00e0 tra il piano pittorico e quello dell\u2019osservatore, facendo risultare tridimensionale ci\u00f2 che in realt\u00e0 \u00e8 bidimensionale; in questo modo infatti l\u2019osservatore percepisce illusoriamente una realt\u00e0 inesistente, creata artificialmente attraverso mezzi pittorici.
Si basa sostanzialmente sulla creazione di una sorta di scenografia volta ad inglobare in maniera oculata elementi funzionali per arrivare poi a fondersi con l\u2019architettura e nel contempo a superarne i limiti.<\/p>

Dal punto di vista tecnico, il trompe l\u2019\u0153il richiede un\u2019assoluta conoscenza del disegno<\/strong>, delle\u00a0regole prospettiche<\/strong>, dell\u2019uso delle\u00a0ombre<\/strong>\u00a0e degli\u00a0effetti di luce<\/strong>, oltre alla perfetta padronanza dell\u2019uso del colore e delle sfumature, tecniche ben precise e rigidamente sottoposte a regole matematiche e geometriche per ottenere l\u2019effetto voluto.
Lo studio del punto di vista dell\u2019osservatore rispetto al dipinto \u00e8 fondamentale. Pertanto, subito dopo avere scelto la superficie su cui operare l\u2019intervento, l\u2019artista dovr\u00e0 individuare i punti di vista privilegiati, ossia i punti di vista da cui generalmente si osserva quell\u2019area.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

\"Villa Bellissima\" Sandy- Utah<\/h3>

Villa Bellissima e' tra le 50 ville piu' grandi d'America. Ha una superficie di oltre 5000 metri quadrati ed il soffitto si trova nella sala centrale, con i suoi 200 mq di superficie.
Ha richiesto oltre un anno di lavoro, dagli studi preliminari al dipinto definitivo.
Oltre al soffitto principale, e' stato realizzato un dipinto nella cupola, all' ingresso della sala., di circa 10 mt di diametro.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Diego<\/figure><\/a><\/div>
\"Diego<\/figure><\/a><\/div>
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Trompe l' oeil e Murales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"Camera<\/figure><\/a><\/div>
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Camera Picta<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"Dream\"<\/figure><\/a><\/div>
\"Dream\"<\/figure><\/a><\/div>
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The Dream<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"Sibilla<\/figure><\/a><\/div>
\"Sibilla<\/figure><\/a><\/div>
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Sibilla Delfica<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"MCM20027\"<\/figure><\/a><\/div>
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\"Digital<\/figure><\/a><\/div>
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\"MCM20027\"<\/figure><\/a><\/div>
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La Cornucopia Roma<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"trompe<\/figure><\/a><\/div>
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\"trompe<\/figure><\/a><\/div>
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Stanza delle donne Riyadh<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"Hotel<\/figure><\/a><\/div>
\"Hotel<\/figure><\/a><\/div>
\"Hotel<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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Finte Finestre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"Foto<\/figure><\/a><\/div>
\"trompe-l-oeil-barrique-volta-botte-finto-marmo-prospettiva-perspective-murales-2\"<\/figure><\/a><\/div>
\"trompe-l-oeil-barrique-volta-botte-finto-marmo-prospettiva-perspective-murales-1\"<\/figure><\/a><\/div>
\"Foto<\/figure><\/a><\/div>
\"Foto<\/figure><\/a><\/div>
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A Classic Trompe l'oeil. <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"diego-bormida-artist-regal-princess-minipiazza-acrylic-05-1\"<\/figure><\/a><\/div>
\"diego-bormida-artist-regal-princess-minipiazza-acrylic-06-1\"<\/figure><\/a><\/div>
\"diego-bormida-artist-regal-princess-minipiazza-acrylic-04-1\"<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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Cielo realizzato con la tecnica delle Velature Royal Princess<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Trompe l\u2019\u0153il, espressione proveniente dai termini francesi tromper, cio\u00e8 ingannare, e l\u2019oeil, cio\u00e8 l\u2019occhio, \u00e8 una tecnica pittorica naturalistica, basata…<\/p>\n","protected":false},"author":1,"featured_media":2927,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-143","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/pages\/143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":94,"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/pages\/143\/revisions"}],"predecessor-version":[{"id":3954,"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/pages\/143\/revisions\/3954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/media\/2927"}],"wp:attachment":[{"href":"https:\/\/diegobormida.com\/OLD\/wp-json\/wp\/v2\/media?parent=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}